Hans Zimmer Explains Why He Won’t Score Marvel or Star Wars Films

The Man, The Myth, The Maestro… But No Star Wars?

Hans Zimmer, the musical genius behind some of the most iconic film scores of all time, has made it clear: He’s not interested in composing music for Marvel or Star Wars movies. Yes, the same guy who gave us the pulse-pounding soundtracks of The Dark Knight, Inception, and Dune has decided that the galaxy far, far away and the superhero-filled Marvel Cinematic Universe (MCU) just aren’t his thing.

But why? What could possibly make a composer of his caliber pass on two of the biggest franchises in Hollywood? Let’s break it down.

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Zimmer and Marvel: A Case of “Been There, Done That”

Hans Zimmer has already dipped his toes into the superhero world—multiple times. He’s crafted unforgettable scores for:

• The Dark Knight Trilogy (Batman’s theme still gives goosebumps.)
• Man of Steel (That soaring Superman theme? Pure magic.)
• Wonder Woman 1984
• The Amazing Spider-Man 2
• X-Men: Dark Phoenix

So, when Marvel Studios came knocking, Zimmer essentially said, “What more do you want me to do? Score Ant-Man’s pet ant?” (Okay, he didn’t actually say that, but you get the idea.)

Zimmer admitted that Marvel did approach him at various times, but he turned them down. Not out of any bad blood—he just wasn’t interested in repeating himself. He’s already shaped the sound of multiple superhero universes, and at this point, he’s looking for something fresh.

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Star Wars? “John Williams Has Already Done It Best”

Zimmer’s reasoning for skipping Star Wars is a little different. Unlike Marvel, he’s never composed music for a Star Wars project before. But when asked about it, he basically responded with “Why mess with perfection?”

John Williams, the legendary composer behind Star Wars, has set the gold standard for movie music. The Imperial March, Duel of the Fates, Across the Stars—Williams’ work is untouchable. Zimmer acknowledged this, saying that if he were to take on a Star Wars score, he’d have to reinvent the musical style entirely. But here’s the catch:

• If he changes it too much, it won’t feel like Star Wars anymore.
• If he sticks too close to Williams’ style, it won’t feel like his own work.

It’s a no-win situation. And considering that The Mandalorian composer Ludwig Göransson has already brought a fresh take to the franchise, Zimmer feels no need to step in.

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What Does This Mean for Future Marvel and Star Wars Scores?

While Zimmer won’t be joining the ranks of Marvel or Star Wars composers, these franchises are far from struggling when it comes to music.

For Marvel, composers like Michael Giacchino, Alan Silvestri, and Lorne Balfe have delivered fantastic scores. (Avengers’ theme, anyone?)

For Star Wars, the new generation of composers like Göransson and John Powell (Solo: A Star Wars Story) are keeping the musical legacy alive.

And as for Zimmer? He’s off scoring Dune: Part Two, probably crafting another mind-blowing soundscape for a world of spice, sandworms, and whispery throat chanting.

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Final Thoughts: Zimmer’s Choice Makes Sense

Hans Zimmer turning down Star Wars and Marvel isn’t about snobbery or disinterest—it’s about artistic integrity. He doesn’t want to repeat himself, and he doesn’t want to dilute a legacy that’s already near-perfect.

So, while it would have been fascinating to hear what a Zimmer-composed Star Wars score might sound like, it’s probably for the best. He’ll continue to push boundaries in other ways, and fans of both Marvel and Star Wars will still get incredible music from other talented composers.

But let’s be honest—if Zimmer ever changed his mind and decided to compose a Star Wars score, we’d all lose our minds in the best way possible.

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