lucasfilm

Inside ILM’s Art Department: How Star Wars: Beyond Victory Was Designed

ILM artists creating concept art for Star Wars Beyond Victory mixed reality project

Industrial Light & Magic is pulling back the curtain on its creative process. A new behind-the-scenes feature highlights the work of ILM artists who helped bring Star Wars: Beyond Victory to life — offering a closer look at how the studio designs worlds, characters, and environments for its growing lineup of immersive Star Wars experiences. And yes, it’s as detailed (and nerdy) as you’d hope. A Look Inside the ILM Art Department The spotlight focuses on artists from ILM’s San Francisco studio who contributed concept art and visual development to Star Wars: Beyond Victory, the mixed-reality playset released in 2025. The feature showcases selected artwork and commentary from the team, giving fans a rare glimpse at how early designs evolve into fully realized interactive Star Wars environments. Rather than just showing finished assets, the breakdown highlights: In short: the raw creative stage where Star Wars visuals are born. What Is…

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George Lucas Ranked 4th on Forbes’ List of America’s Greatest Innovators

George Lucas ranked 4th greatest American innovator by Forbes

Star Wars creator George Lucas has earned another major accolade — this time from Forbes. The renowned filmmaker, storyteller, and media pioneer has been ranked #4 on Forbes’ prestigious “America’s 250 Greatest Innovators” list for 2026, placing him alongside some of the most influential innovators shaping modern culture and technology. See the list in full here. A Ranking Rooted in American Innovation Forbes launched the “America’s Greatest Innovators” ranking as part of a special series marking the United States’s 250th anniversary. The list honors leading figures who have not only introduced groundbreaking ideas but also transformed industries and cultural landscapes in lasting ways. To compile the list, Forbes editors tapped expert judges from fields including technology, business, and innovation. They were tasked with assessing nominees based on creativity, commercial impact, breadth of influence, disruption, and engagement — and then fed the results into ranking models to determine the final placement. Behind…

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Jon Favreau Says Directing The Mandalorian & Grogu Is Like Playing With Star Wars Toys

Jon Favreau playfully interacting with Star Wars action figures and AT-AT toy models

Jon Favreau isn’t just a director — he’s a storyteller who learned his craft the same way many fans did: by playing with toys. In a new interview, Favreau explained his approach to directing The Mandalorian & Grogu by comparing it to those early imaginative play sessions many of us had with action figures. “That’s how I learned how to tell stories. You take these characters. You’re talking with your friends, and you’re acting things out [with the toys]. My job is not that different from that.” That one sentence says a lot about how Favreau views his work — with creativity rooted in play, imagination, and character interaction. From Toy Box to Director’s Chair Favreau’s comparison isn’t just cute nostalgia — it reveals a storytelling philosophy. Growing up with toys, you didn’t have scripts. You had: It’s the same bones of narrative structure directors use today — only with…

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Jon Favreau Calls The Mandalorian & Grogu a “Culmination” of His Star Wars Work

Jon Favreau discussing The Mandalorian & Grogu as a culmination of his Star Wars work

Seven years in the making. In a new interview, Jon Favreau described The Mandalorian & Grogu as a personal milestone — calling it a “culmination” of his time working in the Star Wars galaxy. “I’ve been working on Star Wars now for seven years and to be able to step up to doing it as a film feels like a culmination of what I’m working on.” That’s not casual phrasing. From Streaming Gamble to Theatrical Event When The Mandalorian launched in 2019, it wasn’t just a new Star Wars show — it was the flagship title for Disney+. It introduced: Now, Favreau is taking those characters to the big screen. Calling it a “culmination” suggests this isn’t just a spinoff movie.It’s the payoff of an entire creative era. Seven Years of World-Building Favreau has helped shape: Moving from streaming to theatrical format feels symbolic. It’s the franchise saying:This era matters….

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Jon Favreau Confirms Din Djarin Gets the Same Model Razor Crest in The Mandalorian & Grogu

Razor Crest starship flying through clouds with headline “The Razor Crest Returns”

The Razor Crest is back. Well… almost. In a new interview, Jon Favreau confirmed that in The Mandalorian & Grogu, Din Djarin is flying the same model of Razor Crest he originally had in the Disney+ series. “He’s in a Razor Crest now, which is the ship that he originally had. He’s in the same model of ship.” That wording matters. Not The Razor Crest — But the Same Model Fans will remember what happened to Din’s original Razor Crest in Season 2. It was obliterated. What Favreau is clarifying here isn’t a resurrection of the exact same vessel — but a return to the same ship class. In other words: Just not the exact same hull. And that distinction is important for canon consistency. Why Bring Back the Razor Crest Design? After Din briefly piloted the N-1 Starfighter, the aesthetic shift was noticeable. The N-1 was fast. Sleek. Almost…

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Jon Favreau: “We Gotta Up Our Game” for The Mandalorian & Grogu — and Grogu Has Leveled Up

Jon Favreau discussing The Mandalorian & Grogu IMAX scale with quote “We Gotta Up Our Game”

The jump from Disney+ to cinema isn’t being treated casually. In a new interview with Screen Rant, Jon Favreau explains that The Mandalorian & Grogu required a fundamental shift in scale and ambition. “We gotta up our game now for the movie theater,” Favreau said. And he meant it literally. Built for IMAX, Not for Pausing Favreau made it clear the film isn’t just a stretched-out TV episode: “We gotta up our game now for the movie theater, and that means taller aspect ratios for IMAX, building sets that take full advantage of…. We want to take you on an adventure, and that adventure has to fill up the screen and has to be something where people at this moment in time when so much is competing for your attention, that you’re gonna stop what you’re doing and you’re gonna go to a movie theater, and you’re gonna sit down…

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Skeleton Crew Season 2 Reportedly in Development According to Production Weekly

Star Wars Skeleton Crew Season 2 reportedly in development according to Production Weekly listing

Star Wars: Skeleton Crew — the coming-of-age adventure that debuted on Disney+ in late 2024 — has just taken a big step toward a return. According to the latest Production Weekly Issue 1489 (Thursday, February 12, 2026), Skeleton Crew Season 2 is now listed as in development alongside other high-profile projects like The Mandalorian Season 4. This doesn’t confirm a full green-light with a public announcement from Lucasfilm or Disney+, but it’s one of the most concrete industry signals yet that Skeleton Crew could continue. Production Weekly’s listings are widely used by industry pros to track what’s entering pre-production, early development stages, or active planning — so inclusion usually reflects real movement behind the scenes. Here’s what we know — and what it might mean — for Skeleton Crew’s future. From Limited Series to a True Franchise Entry? Star Wars: Skeleton Crew premiered on Disney+ on December 2, 2024, with…

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THE MANDALORIAN AND GROGU Is the Lowest-Budget Star Wars Movie Disney Has Ever Made

The Mandalorian & Grogu

Disney’s newest entry in the Star Wars franchise, The Mandalorian and Grogu, has achieved something unexpected: it’s now officially the lowest-budget feature film in Star Wars history under the Disney era. According to production figures, the total production cost for The Mandalorian and Grogu landed at $166.4 million — a remarkably modest sum compared to the blockbuster budgets of previous entries in the galaxy far, far away. A Lean Approach in a Blockbuster Era To put that in context, most modern Star Wars films — especially theatrical releases under the Disney banner — have hovered well above $200 million in production costs, even before marketing. That makes The Mandalorian and Grogu’s $166.4 million figure stand out, not just within the franchise but among big-studio tentpoles in general. This leaner price tag could reflect a number of production decisions: Not a Sacrifice, Just Smart Spending Being the lowest-budget movie in the…

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Lucasfilm Clarifies The Mandalorian & Grogu Super Bowl Ad: A Playful Nod to Classic Big Game Spots

Grogu reaching up toward a creature in a scene from The Mandalorian and Grogu promotional footage

Lucasfilm has cleared up confusion surrounding the recent Super Bowl commercial for The Mandalorian & Grogu, and the explanation reveals the spot was designed as a deliberate tribute to iconic ads of the past. According to Ryan Stankevich, Lucasfilm’s marketing brand lead, the creative team intentionally leaned into a familiar Super Bowl advertising style — one that longtime viewers of the Big Game would instantly recognize. “Our creative and marketing team landed on a unique concept that gave a nod to classic Big Game spots of years past. It captured the warmth, humor, and emotional connection between these two beloved characters and was the perfect next step for our campaign as we lead up to their big screen debut this summer.” Rather than focusing on plot reveals or spectacle, the ad centered on the heart of the franchise’s most popular duo: Din Djarin and Grogu. The goal wasn’t to expand…

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New The Mandalorian and Grogu Teaser Debuts During the Super Bowl — Sam Elliott Narrates, Tauntauns Return

The Mandalorian and Grogu riding tauntauns across a snowy landscape in the Super Bowl teaser

Just when you thought the Super Bowl was only about football and snack commercials, Star Wars casually rolls in with a big-screen reminder that The Mandalorian and Grogu is on the way — and yes, it brought tauntauns with it. A brand-new teaser for the upcoming film dropped during the Big Game, and while it doesn’t spill major plot secrets, it does something arguably more powerful: it sets the tone. And that tone? Classic Star Wars adventure, emotional stakes, and a bond that just won’t quit. Sam Elliott’s Voice Brings Western Energy to Star Wars The biggest surprise from the teaser isn’t a spaceship or a blaster — it’s the voice guiding the whole thing. The narration is widely attributed to Sam Elliott, whose legendary gravelly voice instantly gives the spot a frontier, almost Western feel — which honestly fits The Mandalorian vibe perfectly. Here’s the line that’s already getting…

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Rogue Squadron Screenwriter Matthew Robinson Updates Fans on Movie’s Future

Rogue Squadron movie banner showing pilot helmet scene and film update headline

The long-anticipated Star Wars: Rogue Squadron film continues to languish in uncertainty, according to comments from the movie’s screenwriter Matthew Robinson. In a recent interview, Robinson revealed that he currently has no clear direction from Lucasfilm on what will happen with the project — and that the studio’s leadership changes have added to the ambiguity surrounding its theatrical future. “Lucasfilm Is in a Pretty Big State of Flux” Robinson didn’t mince words when describing the situation. Asked about where Rogue Squadron stands, he said: “I don’t currently know what Lucasfilm wants to do with it. They’re in a pretty big state of flux at the moment, after Kathleen [Kennedy] leaving, and who knows what the future holds for them theatrically.” Those candid remarks highlight just how unsettled Lucasfilm’s movie slate has become. After the departure of longtime Lucasfilm president Kathleen Kennedy, many of the company’s planned theatrical projects — including…

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Kathleen Kennedy Suggested Lighter Jedi Robes in The Acolyte

Jedi characters in The Acolyte wearing lighter colored robes

A small costume decision in The Acolyte actually came from the top. According to material from The Art of The Acolyte, Kathleen Kennedy was the one who pushed for Jedi Order costumes in the series to move away from the familiar beige and off-white tones seen across much of Star Wars history. Her reasoning? Toy shelves. “Every time I go into toy departments and see Jedi action figures, they’re always beige and off-white. They look kind of bland on the shelves.” It’s a reminder that Star Wars design decisions often live at the intersection of storytelling, visual identity, and merchandising reality. Why the Color Shift Matters For decades, Jedi robes have been closely associated with earth tones — a visual shorthand for humility, tradition, and monastic simplicity. But in a retail setting, subtle costume palettes don’t always stand out. By encouraging brighter or more visually distinct looks for Jedi in…

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Star Wars: Starfighter Aims to Recapture the Joy of the Original Films, Says Screenwriter

Star Wars Starfighter space battle artwork illustrating the film’s focus on adventure and the spirit of the original movies.

Lucasfilm’s upcoming Star Wars: Starfighter is being positioned as both something new and something deeply familiar. According to screenwriter Jonathan Tropper, the film is designed to tap back into the sense of adventure, excitement, and pure cinematic joy that defined the original Star Wars experience for many viewers as kids. “The joy we felt as little kids” Speaking about the project, Tropper described the creative goal behind Starfighter in terms that longtime fans will immediately recognize. He explained that audiences should expect: “Something new and different, but in very much the spirit of the original Star Wars movies. We really wanted adventure, excitement, wish fulfillment and the joy that we felt as little kids seeing those first versions of the movies.” That framing suggests a tonal direction focused less on dense lore and more on emotional immediacy — the kind of storytelling that prioritizes wonder and momentum. Balancing mythology with…

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STAR WARS: STARFIGHTER Will Not Feature Any Legacy Characters, Says Screenwriter

Screenwriter Jonathan Tropper pictured against a Star Wars space battle backdrop while discussing Starfighter’s focus on new characters.

Lucasfilm’s upcoming Star Wars: Starfighter movie is shaping up to be a fresh start for the franchise — and that includes no appearances by legacy characters from previous films. According to screenwriter Jonathan Tropper, Starfighter is intentionally distancing itself from familiar faces like Luke Skywalker, Rey, or other established heroes and villains. Instead, Tropper says the story will entirely focus on new characters and a new chapter of the galaxy far, far away. “No legacy characters” means a clean slate In a recent comment addressing rumors ahead of the film’s planned 2027 release, Tropper confirmed the decision directly: “I think it’s known that we have no legacy characters. You’re not going to see any of the characters you’ve seen in the other movies.” That’s a significant creative choice, especially in a franchise that has often tied new projects closely to its past. Why this matters for Starfighter In recent years,…

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Rian Johnson Says He Wants New Star Wars Stories Following Kathleen Kennedy’s Exit

Rian Johnson pictured against a Star Wars-themed backdrop while discussing new stories for the franchise after Kathleen Kennedy’s exit from Lucasfilm.

Filmmaker Rian Johnson is looking ahead with optimism for the future of Star Wars, expressing excitement about fresh creative voices entering the galaxy far, far away following Kathleen Kennedy’s departure from Lucasfilm leadership. Johnson, who directed Star Wars: The Last Jedi, shared his perspective in a recent interview, focusing on what he sees as the most thrilling possibility in the post-Kennedy era: new storytellers and new stories. “Fresh voices” driving the future of Star Wars “As a Star Wars fan,” Johnson said, “the most exciting thing for me is always seeing when they bring in fresh voices and fresh filmmakers to come in and tell new stories in that world. That’s what I am looking forward to seeing more happen.” His comments emphasize a creative approach that values diversity of perspective over repetition of familiar formulas — a sentiment shared by many within the industry as leadership at Lucasfilm transitions….

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Kelly Marie Tran Calls Kathleen Kennedy’s Exit From Lucasfilm “Such a Loss”

Kelly Marie Tran and Kathleen Kennedy at a Star Wars and Lucasfilm event backdrop.

As Lucasfilm prepares for a new chapter, Kelly Marie Tran has shared her thoughts on Kathleen Kennedy stepping away from the company she led for more than a decade. Speaking in a recent interview, Tran described Kennedy’s departure as “such a loss,” while also expressing happiness for the personal changes Kennedy is making in her life. “Historic” leadership at Lucasfilm Tran emphasized the importance of Kennedy’s role not just as a producer, but as a long-standing leader in an industry where women at that level have historically been rare. She highlighted Kennedy’s career as both exceptional and historic, noting that her presence at the head of Lucasfilm represented more than a single executive position — it symbolized longevity, capability, and visibility in a space often dominated by men. For Tran, that context matters as much as the films themselves. A measured response, not a political one Notably, Tran’s comments were…

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Sean Kiner and Deana Kiner Confirmed as Composers for Maul – Shadow Lord

Sean Kiner and Deana Kiner confirmed as composers for Maul – Shadow Lord, the upcoming Star Wars animated series.

Lucasfilm has confirmed that Sean Kiner and Deana Kiner are composing the score for Maul – Shadow Lord, the upcoming animated Star Wars series centered on Darth Maul. The announcement immediately signals a familiar musical direction for longtime fans of Star Wars animation, as the Kiners have been responsible for much of the franchise’s modern animated soundscape. A familiar musical signature for Star Wars animation Sean and Deana Kiner’s previous work spans nearly every major animated Star Wars project of the past decade. Their credits include: Across those series, the Kiners developed a musical identity that blends orchestral Star Wars tradition with darker, more modern textures — an approach that feels particularly well-suited to a Maul-centered story. Why the score matters for a Maul series Darth Maul has always been a character defined as much by mood as by action. From his silent menace in The Phantom Menace to his…

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Taika Waititi Wants His Star Wars Movie to Feel Fun Again — Like the Originals

Taika Waititi pictured alongside classic Star Wars space battle imagery, reflecting his vision for a fun, original trilogy–inspired Star Wars movie.

For years, Taika Waititi’s Star Wars project has existed in a strange limbo — officially announced, frequently mentioned, but rarely explained. Now, the director has offered one of his clearest statements yet about what he actually wants his film to feel like. And the key word is simple: fun. According to Waititi, the goal isn’t to reinvent Star Wars or push it into darker territory. Instead, he wants to recapture something that’s been easy to overlook in recent years — the playful, adventurous energy that defined the original films. Vis dette opslag på Instagram Et opslag delt af Variety (@variety) “Harness the fun from the original films” Waititi has described his approach as an attempt to reconnect with what made Star Wars click in the first place. Not the lore spreadsheets. Not the timeline debates. But the sense that these movies were, at their core, entertaining space adventures with heart….

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Walt Disney Studios at CinemaCon: Extended Look at The Mandalorian & Grogu Likely — Starfighter Less So

CinemaCon image teasing a possible extended look at The Mandalorian and Grogu movie

Walt Disney Studios has confirmed its presentation at CinemaCon on April 16, and Star Wars fans are already speculating about what Lucasfilm might reveal at the event. With The Mandalorian & Grogu now less than two months from its theatrical release, an extended look at the movie could be part of the showcase. The presentation comes at a key moment in Disney’s promotional calendar — CinemaCon is one of the first major film industry gatherings of the year, where studios often unveil new footage, extended trailers, and exclusive clips ahead of summer movie season. The Mandalorian & Grogu Is a Big Disney 2026 Release The Mandalorian & Grogu is already one of Lucasfilm’s most anticipated releases, scheduled to arrive in theaters on May 22, 2026. Directed by Jon Favreau and co-written with Dave Filoni, the movie brings the beloved characters from the Disney+ series to the big screen. So far,…

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The Mandalorian & Grogu Will Be “A Lot Bigger Than the Series,” Says Lateef Crowder

The Mandalorian and Grogu in a high-action scene teasing a movie bigger than the Disney Plus series

The scale of The Mandalorian & Grogu just got a little clearer. According to Lateef Crowder, the upcoming Star Wars film isn’t simply an extended episode of the Disney+ series — it’s something much bigger. “I want people to be surprised. One thing I will say is there’s a lot of great action, a lot bigger than the series.” Crowder shared the comment during a recent interview, offering a rare on-the-record hint about what fans should expect when Din Djarin and Grogu make the jump from streaming to the big screen. Full video interview: “Bigger Than the Series” Is the Key Phrase Here That specific wording matters. The Mandalorian already delivers cinematic action by TV standards, but Crowder’s comment suggests the film is leaning fully into theatrical-scale storytelling — not just in visuals, but in action design. In other words:this isn’t a “Disney+ movie.” It’s a Star Wars movie. What…

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The Acolyte Finale Originally Included an Osha and Qimir Kiss (According to The Art of The Acolyte)

Osha and Qimir in The Acolyte as article discusses a cut finale kiss revealed in The Art of The Acolyte

Well… this would have changed the vibe. A new behind-the-scenes detail from The Art of The Acolyte reveals that an original version of the finale reportedly featured Osha and Qimir kissing. That moment didn’t make it into the final cut — but the fact that it was even considered tells you a lot about what the show was aiming for with their relationship. What Was Cut From the Finale? According to the information shared in The Art of The Acolyte, the creators explored a version of the ending where: ✅ Osha and Qimir kiss❌ The kiss was ultimately removed from the finished episode So no, it wasn’t “canon romance” on screen… but it was on the table at some point in production. And honestly, the finale we got already walked right up to that line. Why This Detail Matters Osha and Qimir wasn’t a simple “hero meets villain” dynamic. The…

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98th Academy Award Nominations: ILM, Skywalker Sound, and Star Wars Alumni Show Up All Over the List

98th Oscar nominations banner highlighting ILM, Skywalker Sound, and Star Wars alumni

The nominations for the 98th Academy Awards are in — and once again, Star Wars is all over the technical side of the industry… even when Star Wars itself isn’t the movie being nominated. Because when the Oscars get to categories like Visual Effects and Sound, two names keep showing up behind the scenes: In other words: Star Wars craftsmanship, still quietly carrying half of Hollywood on its back. ILM’s Presence at the Oscars Is Basically a Tradition Now Even when there isn’t a Star Wars film in the race, ILM is usually involved in multiple projects getting Academy recognition — and the 98th Oscars are no different. The Academy’s process for Visual Effects typically includes a shortlist/bake-off stage before final nominees are locked in, and ILM talent is involved across a wide range of major titles competing in the category. If you’ve ever watched a modern blockbuster and thought…

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Disney+ Has Turned May the 4th Into a Star Wars Release Tradition (Now 6 Years Running)

Star Wars Disney+ May the 4th release streak collage showing Clone Wars, Visions, Tales, and Maul finale eras

May the 4th used to be mostly about memes, marathons, and people posting the same Vader GIF like it was brand-new information. Now? It’s basically a release date. Because 2026 marks the 6th year in a row where Disney+ debuts a new Star Wars project on May the 4th — and at this point, it’s clearly not an accident. 6 Years of Star Wars Releases on May the 4th (Disney+) Here’s the streak: That’s six straight years where May 4th wasn’t just “Star Wars Day.” It was also content drop day. Why This Matters (Even If It Sounds Like a Fun Little Trivia Fact) This isn’t just a cute calendar coincidence. It says something pretty obvious about Disney’s current Star Wars strategy: May the 4th is now a marketing anchor Disney+ doesn’t need to explain May 4th releases anymore. The date sells itself. Animation is carrying the tradition Notice the…

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Everything We Know About Dave Filoni’s “Mandoverse” Crossover Movie (So Far)

The Mandalorian and Grogu with headline about everything we know on Dave Filoni’s Mandoverse crossover movie

Dave Filoni’s Star Wars crossover movie has been talked about for years now — and yet it still feels like the most “Schrödinger’s Star Wars project” imaginable. It exists… but it also kind of doesn’t. It was announced as the cinematic event meant to tie together the Disney+ Star Wars era built around The Mandalorian — and it’s still expected to deliver a large-scale crossover featuring multiple shows. So what do we actually know right now? Let’s break it down into: confirmed, reported, and still speculation. What Is the Filoni Movie Supposed to Be? This is the important baseline: ✅ The film is designed as a crossover event for the interconnected Star Wars Disney+ timeline often nicknamed the “Mandoverse.” That includes the era after Return of the Jedi and before The Force Awakens, where Lucasfilm has built a shared story across multiple series. The original concept has long been described…

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