Simon Kinberg Is Bringing a New Star Wars Trilogy to Life, but is it Going to be Good?

In the vast galaxy of Hollywood, Simon Kinberg is a name that pops up more often than stormtroopers missing their shots. From high-stakes blockbusters to face-palm-worthy flops, Kinberg’s track record is as unpredictable as a podrace on Tatooine. Now, the man with more ups and downs than a speeder bike chase is bringing a new Star Wars trilogy to life. But before we get out the lightsabers and champagne—or shields and skepticism—let’s dive into whether Kinberg’s vision has a shot at bringing balance to the Force or if it’ll head straight to the Sarlacc pit.

A Hollywood Filmography Full of Plot Twists

Let’s take a journey down the cinematic rabbit hole that is Kinberg’s filmography:

• 2005: A Tale of Two Movies
  Kinberg burst onto the scene with Mr. & Mrs. Smith, a sizzling action-comedy that showed us just how great Brad Pitt and Angelina Jolie can be when they’re both armed and dangerous. The movie was a hit, raking in over $478 million worldwide. But hold on; the same year, Kinberg was behind XXX: State of the Union, a movie that’s best described as “an acquired taste”—if by “taste” you mean a heaping pile of ‘meh.’ Critics shredded it faster than a Wookiee tears through a bad hand at sabacc.
• 2014: The X-Men High and a Cop Low
  X-Men: Days of Future Past proved Kinberg can pull off a narrative juggling act, bringing together multiple timelines and beloved characters. Audiences and critics ate it up like blue milk ice cream. But then came Let’s Be Cops, which Kinberg produced. Sadly, this was no Jedi mind trick; the movie flopped harder than a broken speeder.
• 2015: Hits and Misses
  This year, Kinberg played the Hollywood equivalent of two truths and a lie. The Martian (producer credit) soared, earning critical acclaim and putting Matt Damon on Mars. But Fantastic Four? Yeah, that was less of a fantastic experience and more like a case of the dreaded Force choke for audiences and critics alike.
• 2016: Deadpool and Apocalypse
  As a producer for Deadpool, Kinberg reminded everyone that irreverent humor and R-rated superheroes can print money. X-Men: Apocalypse, on the other hand, left fans wishing they had a time-traveling mutant to erase their disappointment.
• 2017: Redemption with Logan and a Classic Mystery
  Logan (producer) was gritty, raw, and gave Wolverine a farewell worthy of legend. It was the kind of storytelling fans crave. Then, Kinberg turned to a classic with Murder on the Orient Express. While visually impressive, its pacing felt like riding a bantha through the desert—slow and dry.
• 2019: The Directorial Debut That Didn’t Spark Joy
  Here’s where things get tricky. Kinberg directed Dark Phoenix, and it, well, fizzled. It was intended to be a fiery swan song for the X-Men franchise but ended up as a smoldering mess that even Charles Xavier couldn’t save.

The Force is Strong with This One… Sort Of

Despite his rocky track record, Kinberg is no stranger to Star Wars. He co-created Star Wars Rebels, an animated series that expanded the lore and won over fans with its depth and storytelling. And let’s not forget his creative consultation work on Rogue One and The Force Awakens—both films that resonated well with audiences. His deep familiarity with the galaxy’s lore makes him more than just a hopeful Padawan; he’s a seasoned Jedi (or maybe a scrappy smuggler) in the Star Wars universe.

What Makes Kinberg Tick? Personal Traits and Creative Style

So, what can we expect from Kinberg’s take on a new Star Wars trilogy? Let’s unpack his style and approach to storytelling.

• Collaboration Over Dictation
  Kinberg is known for his collaborative approach. On ensemble films like X-Men: Days of Future Past, he’s shown an ability to balance a sprawling cast while incorporating ideas from all corners of the production. For a Star Wars trilogy, where world-building and character arcs are everything, this trait might just be his secret weapon.
• A Passion for Blending Genres
  Kinberg’s work often combines multiple genres. Mr. & Mrs. Smith mixed action, romance, and comedy in a way that made audiences smile (and duck for cover). His love for blending styles could lead to a Star Wars trilogy that breaks new ground—provided it doesn’t try to juggle too many thermal detonators at once.
• Focus on Character-Driven Narratives
  One key lesson Kinberg appears to have learned (though Dark Phoenix made us question this a bit) is that character-driven stories trump generic spectacle. Star Wars thrives on character arcs, from the tragic fall of Anakin Skywalker to Rey’s journey of self-discovery. If Kinberg can nail the personal stakes, he may give us a trilogy worth rooting for.

What Does the Future Hold for Kinberg’s Trilogy?

Let’s be real: predicting the outcome of Kinberg’s Star Wars trilogy is like trying to guess what happens when you press a random button on the Millennium Falcon—maybe it jumps to hyperspace, maybe it just sparks and hisses. But there are reasons for cautious optimism:

• Experience with Complex Narratives: His work on Days of Future Past proves he can handle intricate plots and time-bending storylines.
• Proven Dedication to Star Wars: His involvement with Star Wars Rebels and consultation on major films demonstrates a love and respect for the franchise’s lore.
• Lessons Learned: Stumbles like Dark Phoenix might just be the painful but necessary learning moments that pave the way for a great trilogy.

Conclusion: A Hopeful Yet Cautious Wait

Simon Kinberg’s new Star Wars trilogy could either be a shining beacon in the galaxy or a tragic misfire. His varied career showcases both his talent and his tendency to occasionally miss the mark. With extensive experience, a passion for blending genres, and a strong connection to the Star Wars universe, there’s reason for fans to watch with cautious optimism.

In the end, whether his trilogy will stand alongside legends or become a cautionary tale is something we’ll have to wait and see. May the Force be with him—and all of us, because we’re definitely along for the ride.