Star Wars is never short on projects. But it is short on projects that actually make it out alive. According to The Wrap, Rick Famuyiwa was developing a Star Wars series for Disney+ — and it’s now reportedly “in limbo.” And if that name doesn’t immediately ring a bell, it should. Famuyiwa isn’t some random new hire. He’s been a quiet but consistent force in modern Star Wars, directing: So if a Famuyiwa-led Star Wars series is stuck in limbo, that’s not just a trivia detail. That’s a real “what happened here?” moment. Why Famuyiwa Matters to Modern Star Wars Famuyiwa has become one of the most trusted directors in the current Lucasfilm TV era. And The Believer isn’t just a fan favorite — it’s the kind of episode that proved Star Wars could still do something rare: character-driven tension without relying on lightsabers and nostalgia buttons. So when a…
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Who Is Lynwen Brennan? The Lucasfilm Co-President Fans Are Suddenly Googling Like Crazy
If you’ve been online in Star Wars fandom lately, you’ve probably noticed the same thing I have: People are not just talking about Dave Filoni anymore. They’re also Googling Lynwen Brennan like she’s a brand new character that just walked into the season finale and changed the whole power balance. And honestly? It makes sense. Because Brennan isn’t just “some executive.” She’s one of the two people now leading Lucasfilm at the very top — and she’s been quietly steering the ship for years. So who is she really? Let’s do a proper portrait: background, career, family (only what’s public), age, and the thing everyone always searches for… net worth. TL;DR (Quick Take) Lynwen Brennan’s Age (Yes, People Keep Asking) Lynwen Brennan was born in June 1967, which makes her 58 years old (as of 2026). And yes — “Lynwen Brennan age” is basically the #1 search query right now….
Kathleen Kennedy’s Lucasfilm Era Was Polarizing — But the Awards History Is Hard to Ignore
Kathleen Kennedy’s time as president of Lucasfilm will probably be debated forever — mostly on the internet, mostly loudly, and mostly with way too much confidence. But there’s one angle that cuts through the noise: Awards. Real ones. Industry ones. The kind you don’t win by having a loud fandom. And according to a new breakdown, the Kathleen Kennedy era at Lucasfilm has built a pretty serious awards track record — across Star Wars films, Disney+ series, and Lucasfilm’s broader output. So whether you view her as the architect of modern Star Wars or the reason your group chat still argues about The Last Jedi… This is what the awards history actually looks like. ✅ TV Shows — Total Awards Wins & Nominations (all award bodies) Here’s the scoreboard — total award wins and nominations across all major bodies during the Kathleen Kennedy era: TV Show Total Awards Wins Total…
Disney’s Star Wars Box Office Era: What the Numbers Actually Say
Star Wars under Disney has been called a lot of things over the last decade: a comeback story, a franchise machine, a fandom battleground. But in box office terms? It’s something much simpler — and much more measurable. Because between The Force Awakens, Rogue One, The Last Jedi, Solo, and The Rise of Skywalker, Lucasfilm didn’t just reboot a franchise. It ran a full theatrical experiment in real time. And the global box office results show a pattern that’s more interesting than the usual “hit vs flop” debate. Why this matters now Star Wars is moving back into theatrical mode again. A new movie slate is taking shape, and Lucasfilm is still trying to solve the same modern blockbuster puzzle: how to make Star Wars feel like an event without burning out the audience. That’s why looking at the Disney-era numbers matters. Not as a scorecard for fan arguments —…
Kathleen Kennedy Says Casting Han Solo Was “An Impossible Situation” for Alden Ehrenreich
Kathleen Kennedy has spent years defending Lucasfilm’s big swings — and to be fair, Star Wars requires big swings. But in her latest Deadline exit interview, the outgoing Lucasfilm president offered a rare moment of direct, personal reflection on one of the most debated choices of the Disney era: asking Alden Ehrenreich to replace Harrison Ford as Han Solo. And Kennedy doesn’t sugarcoat it. Why this matters now With Kennedy stepping away from Lucasfilm leadership, these interviews aren’t just PR. They’re the closest thing we’ll get to an official post-mortem on modern Star Wars decision-making. And Solo: A Star Wars Story has always been one of the most interesting case studies: So Kennedy acknowledging regret here isn’t small. It’s a signal that Lucasfilm knows exactly what went wrong conceptually, even if the movie itself has aged better for many viewers. What Kathleen Kennedy said Kennedy praised Ehrenreich directly, but admitted…
Kathleen Kennedy Looks Back on The Last Jedi Nine Years Later: “One of the Best Star Wars Movies”
Nine years after The Last Jedi hit theaters and permanently split the Star Wars fandom into factions, Kathleen Kennedy isn’t backing away from it. In a new Deadline exit interview, the outgoing Lucasfilm president not only praises Rian Johnson’s film — she calls it one of the best Star Wars movies — but also suggests the online backlash left a lasting impact on Johnson’s future in the franchise. Why this matters now This isn’t just “old Star Wars drama” being rehashed. Kennedy is stepping away from Lucasfilm leadership, and these interviews are essentially her final on-the-record reflections on the modern Star Wars era — including the moments that shaped it, and the projects that changed the studio’s relationship with fans. And no movie defines that tension more than The Last Jedi. What Kathleen Kennedy said about The Last Jedi Kennedy didn’t hedge her opinion. She directly praised Rian Johnson’s work:…
Kathleen Kennedy Addresses Sexism in Star Wars Fandom: “They Unfairly Get Targeted”
Kathleen Kennedy’s exit interview tour isn’t just about movies, shows, and leadership structure. It’s also about something Star Wars has wrestled with for years — and too often refuses to talk about directly: the harassment and sexism aimed at women in the franchise, both on-screen and behind the camera. In her new Deadline interview, Kennedy speaks candidly about what female Star Wars actors and filmmakers face, and why she doesn’t sugarcoat it when new women enter the franchise. Why this matters now Lucasfilm is in the middle of a major transition — Kennedy stepping down, a new leadership structure forming, and Star Wars preparing for its next big era. But as that next era arrives, one thing hasn’t changed: women who become visible in Star Wars projects are still disproportionately targeted online. Kennedy putting that reality into words matters, because it’s not a fan theory or a vague PR statement….
ScreenRant Ranks Every Kathleen Kennedy Live-Action Star Wars Project — From Worst to Best
Now that Kathleen Kennedy’s time leading Lucasfilm is coming to a close, we’re officially entering the “let’s look back at the entire era” phase of Star Wars discourse. And like clockwork, rankings are starting to drop. This one comes from ScreenRant, which published a full list ranking every live-action Star Wars movie and Disney+ show produced during the Kennedy era — from worst to best. Not surprisingly, it’s already sparking debate… because it’s basically a summary of everything fans have argued about since 2015. Why this matters now Whether you loved the sequels, hated them, or just want Star Wars to stop fighting itself for five minutes — the Kennedy era is now being treated as one complete chapter. And when an era ends, people don’t just remember moments. They start building lists. This ranking is interesting because it doesn’t only judge movies. It puts theatrical releases and Disney+ shows…
Kathleen Kennedy Names the Lowest Point of Her Lucasfilm Era — and It’s About Fan Expectations
Kathleen Kennedy has said a lot over the years about Star Wars, leadership, pressure, and the sheer chaos of steering one of pop culture’s most emotionally-owned franchises. But in her latest Deadline interview — released as her Lucasfilm exit becomes official — she finally puts words to what she considers the low point of her time running the studio. And it’s not a box office number. Not a cancelled movie. Not a particular show. It’s the impossible math of trying to satisfy everyone. Why this matters now Kennedy stepping away from Lucasfilm isn’t just a management shuffle — it’s the end of a defining era for modern Star Wars. So every line from her exit interview matters, because this is the version of the story that will stick: what she felt went right, what went wrong, and what she believes the franchise actually struggled with. And her answer here touches…
From George Lucas’ Apprentice to Lucasfilm President: Dave Filoni’s Unlikely Rise
Dave Filoni didn’t just climb the Lucasfilm ladder. He basically became the ladder. With Filoni officially moving into the Co-President role at Lucasfilm in 2026, Star Wars is now being steered creatively by someone who started at the company in the most Star Wars way imaginable: as George Lucas’ apprentice. Not figuratively. Literally. And when you line up his career milestones, it’s hard not to see the shape of a story Lucas himself would’ve approved of. Why this matters now For years, Filoni has been treated by fans as the “keeper of the lore.” But this new role turns that unofficial reputation into an official mandate. Star Wars isn’t just being guided by a committee, or by shifting creative teams. Lucasfilm is putting its creative leadership into the hands of someone whose entire professional identity has been built inside the galaxy far, far away. And Filoni’s rise didn’t happen through…
Kathleen Kennedy Releases Statement on Leaving Lucasfilm: “A True Privilege”
Lucasfilm’s leadership transition just became a lot more personal. After Disney CEO Bob Iger offered an official corporate tribute, Kathleen Kennedy has now released her own statement regarding her exit from Lucasfilm — and it reads like exactly what it is: a goodbye letter to a studio she helped define for more than a decade. It’s reflective, grateful, and quietly forward-looking. Why this matters now Kennedy stepping away isn’t just a behind-the-scenes reshuffle. It’s the closing of a chapter that shaped modern Star Wars — from the sequel trilogy to Disney+ to Lucasfilm’s biggest recent creative pivot: television. That’s why her own words matter. This isn’t press speculation or a quote filtered through Disney PR. It’s Kennedy directly framing her legacy — and setting the tone for what she intends to do next. What Kathleen Kennedy said Kennedy confirmed the personal weight behind the moment by pointing straight back to…
Bob Iger Breaks Silence on Kathleen Kennedy Leaving Lucasfilm: “Deeply Grateful”
If you’re looking for the official Disney tone on Kathleen Kennedy’s exit from Lucasfilm, it’s here — and it’s exactly the kind of statement that carries more meaning than it seems at first glance. Disney CEO Bob Iger has now commented publicly on Kennedy’s departure, offering a glowing, carefully-worded tribute that positions her tenure as both historic and foundational to Lucasfilm’s modern era. Why this matters now Leadership changes at Lucasfilm always trigger speculation — not just about what happened behind closed doors, but about where Star Wars goes next. That’s why Iger stepping in matters. When Disney’s CEO addresses this kind of transition directly, it signals that Kennedy’s departure isn’t being framed internally as damage control or controversy. It’s being framed as a respected, planned shift — and Disney wants the public narrative to match that. What Bob Iger said In his statement, Iger emphasized two key points: Here’s…
Kathleen Kennedy Retires as Lucasfilm President This Week — Dave Filoni and Lynwen Brennan Take Over
This is the biggest Lucasfilm leadership shift since Disney bought the company in 2012 — and it’s not a rumor anymore. Kathleen Kennedy is officially stepping down as President of Lucasfilm this week, ending nearly 14 years as the studio’s top executive. And the replacement structure is just as headline-worthy: Lucasfilm is splitting the role into creative leadership and business leadership, with Dave Filoni and Lynwen Brennan stepping into those responsibilities. Why this matters now Star Wars is heading into its next major cycle. There’s a new generation of films on the way, Disney+ remains a core pillar of the franchise, and the brand is actively trying to stabilize its long-term direction after years of uneven theatrical momentum. So this isn’t just “a leadership change.” It’s Disney and Lucasfilm saying: Star Wars is entering a new era — and they want a clearer chain of command before the next wave…
Leia Is Bringing Her Battlefront II “Adventure” Look to Galaxy’s Edge — Starting April 29
Galaxy’s Edge is already getting a major identity shift on April 29 — and Lucasfilm is clearly not treating Leia Organa like a simple “meet-and-greet checkbox.” Instead, Disneyland’s version of Galaxy’s Edge will introduce Leia in a brand-new (but very familiar) outfit: her Star Wars Battlefront II “Adventure” appearance, complete with the crown braid. And yes: this is the first time this look has been brought to life in live-action form. Why this matters now The April 29 change isn’t just about swapping Kylo Ren for Darth Vader. This is Lucasfilm quietly rewriting how Galaxy’s Edge works as an experience: less “locked timeline,” more “Star Wars museum you can walk through”—but still with storytelling rules. Leia’s new costume is one of the clearest signs that this isn’t random nostalgia. It’s intentional, curated nostalgia. The kind that actually respects canon and what fans want to see. What Lucasfilm actually said In…
Andor Quietly Dominates the Awards Conversation Again — This Time for VFX and Sound
If you needed proof that Andor isn’t just “a great Star Wars show” but one of the most technically respected series in modern TV… award season is basically spelling it out in capital letters. This week brought another wave of industry recognition for Andor Season 2 — and it’s coming from the people who actually build the magic: visual effects artists, sound editors, and guild-level professionals. Not clickbait awards. The serious ones. What happened (and why it matters now) Andor Season 2 has picked up fresh nominations in multiple major technical award bodies — including the Visual Effects Society (VES) and Motion Picture Sound Editors (MPSE) Golden Reel Awards. In short: the show is being singled out for the two things it arguably does better than any other live-action Star Wars project: Vis dette opslag på Instagram Et opslag delt af Industrial Light & Magic (@ilmvfx) The key details (facts…
Disneyland Is Quietly Rewriting Galaxy’s Edge — Sequel Era Timeline Shelved Starting April 29
For years, Star Wars: Galaxy’s Edge has been Disney’s boldest Star Wars swing. Not because it had the most characters. But because it tried something far more ambitious: an in-universe Star Wars land where you were the main character — not a visitor waiting in line for a photo with Darth Vader. Now Disneyland is changing course. According to the Los Angeles Times, Galaxy’s Edge at Disneyland will no longer be primarily set in the sequel trilogy era, and starting April 29, the land will shift toward a more “classic” Star Wars lineup — including Darth Vader, Luke Skywalker, Han Solo, and Princess Leia. And yes: that means Kylo Ren is being shelved as a walk-around character in the land. Why this matters now This is one of the biggest philosophical changes Disneyland has made to Galaxy’s Edge since it opened. The land’s original identity was built on a very…
Disney’s Millennium Falcon Ride Was Supposed to Have Five Different Missions — But Guests Only Got One
For years, Millennium Falcon: Smugglers Run has had one major problem: It’s fun… but it’s also weirdly easy to “solve.” After a few rides, you know the beats. You know the mission. You know what happens. And for an attraction built around interactivity, that’s a replayability issue. Now we finally know why. According to reporting highlighted by WDWNT — drawing from a recent Wall Street Journal feature on Walt Disney Imagineering — the ride was originally designed to include five different missions, but opened with only one due to budget and time constraints. And yes… it explains a lot. Why this matters right now This isn’t just a “fun Star Wars trivia” detail. It matters because Disney is finally upgrading Smugglers Run with a new mission featuring Din Djarin and Grogu, launching May 22, 2026. So suddenly, the idea of “multiple missions” isn’t hypothetical anymore. It’s a concept Disney is…
Lucasfilm Games Relaunched 5 Years Ago Today — and It Quietly Changed Star Wars Gaming Forever
Five years ago today, Lucasfilm did something that didn’t look dramatic at the time… but ended up reshaping the entire Star Wars gaming landscape. They relaunched Lucasfilm Games as their dedicated licensing brand — a modern banner for Star Wars games (and other Lucasfilm properties) moving forward. And honestly? In hindsight, it was one of the smartest moves the company has made in the post-Disney era. Not because it guaranteed instant masterpieces — but because it signaled something fans had been begging for: more variety, more studios, and more freedom. Why this matters right now Star Wars games used to feel like they were on one highway. Same publisher. Same pipeline. Same release rhythm. Since Lucasfilm Games returned, Star Wars gaming has felt much more like a living ecosystem — with multiple teams, multiple genres, and multiple bets happening at once. Even when not every project hits, the direction has…
Kathleen Kennedy Pushes Back on the Shawn Levy Narrative
For a franchise that lives under a microscope, who gets hired can matter almost as much as what ends up on screen. That’s why Kathleen Kennedy’s recent comments about Shawn Levy landed with more weight than they might first appear. Levy, now attached to direct an upcoming Star Wars film, has faced familiar criticism: that his background in family-friendly and crowd-pleasing movies somehow makes him a “lightweight” choice. Kennedy doesn’t buy that framing—at all. What Kennedy actually said Speaking to The New York Times, Kennedy addressed the criticism head-on. She noted that Levy’s work in family comedies has been routinely misinterpreted, saying it’s “completely unfair” to treat that genre as creatively shallow. Her reasoning was blunt and revealing: making films that work for broad audiences is hard. Not technically flashy hard, but emotionally precise hard—balancing tone, pacing, humor, and sincerity without losing the audience along the way. That skill, she…
Dave Filoni and Lywen Brennan will replace Kathleen Kennedy as the new Co-Presidents of Lucasfilm.
A significant leadership change is coming to Lucasfilm. According to Puck News, Dave Filoni and Lynwen Brennan will take over as co-presidents of Lucasfilm, replacing Kathleen Kennedy. Under the reported new structure, Filoni will lead all creative development across the studio’s projects, while Brennan will oversee executive and operational responsibilities. The move formalizes a division of duties that, in many ways, has already been taking shape behind the scenes. What’s changing at Lucasfilm Filoni has long been the public-facing creative voice of modern Star Wars. Rising from animation into live-action, he has become closely associated with the franchise’s storytelling direction, particularly on Disney+ series that connect animation-era characters with the post–Original Trilogy timeline. Brennan, by contrast, has been deeply involved in the production and business side of Lucasfilm. Her background centers on managing large-scale productions, budgets, and logistics—work that is less visible to audiences but critical to keeping a studio…
December 21 Changed Star Wars Forever — Not October 30
This is one of those Star Wars facts that almost everyone gets wrong — including major news outlets. Disney did not officially buy Lucasfilm on October 30, 2012. That was the announcement day.The deal itself came later. And the distinction matters more than people think. Why this matters now “On this day” anniversaries tend to flatten history into a single headline. Over time, that headline becomes accepted truth, even when it skips important details. The Disney–Lucasfilm deal is a perfect example. October 30 is remembered as the moment Star Wars changed hands — but legally and financially, that wasn’t the case. What actually happened in 2012 On October 30, 2012, Disney announced its intention to acquire Lucasfilm in a deal valued at roughly $4.05 billion. The news dominated entertainment coverage and instantly reshaped expectations for the future of Star Wars. But announcing a deal isn’t the same as completing one….
Maul – Shadow Lord Gets an Official Plot Description — and It’s Exactly as Dark as It Sounds
Darth Maul has never really fit into neat boxes. Sith apprentice, crime lord, survivor, symbol of unfinished business. Now, Star Wars is finally putting a clear frame around his next chapter — and it lands in one of the franchise’s most volatile eras. An official plot description for Maul – Shadow Lord has been revealed, and it confirms a story rooted firmly in chaos, power struggles, and the moral vacuum left behind after the fall of the Republic. What’s been revealed The new official description reads: “Maul – Shadow Lord explores Maul’s quest for power in the gritty and merciless underworld following the aftermath of The Clone Wars and Order 66.” That’s it. No character list. No timeline specifics beyond the obvious. And that restraint matters. This isn’t about spectacle or legacy cameos. It’s about positioning Maul exactly where he thrives: in the shadows, fighting for relevance in a galaxy…
Andor Named Best Television Series of 2025 — and It Earned Every Word of Praise
Awards don’t always capture the moment. This one does. Empire Magazine has named Andor the Best Television Series of 2025, and the reasoning behind that choice reads less like a blurb and more like a reckoning — not just with Star Wars, but with what prestige television can be inside a blockbuster franchise. This matters now because Andor didn’t just end. It landed. What Empire just said — and why it carries weight In naming Andor its top series of the year, Empire didn’t hedge or qualify. It called Tony Gilroy’s second season “astonishing” and described it as “the most accomplished piece of storytelling Star Wars has ever produced.” That’s not nostalgia talking. That’s a major genre publication placing Andor above every other TV achievement of the year — across genres, platforms, and budgets. The citation singled out moments like Mon Mothma’s Senate speech, the fallout of Palmo Plaza, and…
Lucasfilm Wins Key Court Ruling Over Peter Cushing’s Likeness in Rogue One
Nearly a decade after Rogue One reignited debates about digital resurrection in Hollywood, a UK court has delivered a decisive ruling that still echoes across Star Wars — and the wider film industry. Lucasfilm has successfully had a legal challenge dismissed over its use of Peter Cushing’s likeness as Grand Moff Tarkin. The decision doesn’t just close a long-running dispute. It clarifies where the legal ground currently stands as studios navigate the ethics and legality of bringing legacy characters back to the screen. What happened A UK Court of Appeal has ruled in favor of Lucasfilm, striking out a lawsuit brought by Tyburn Film Productions over the digital recreation of Peter Cushing in Rogue One: A Star Wars Story. Tyburn claimed that a 1993 agreement with Cushing — tied to an unrelated, unrealized project — gave it rights connected to the visual effects use of his likeness. On that basis,…