Star Wars films

How Industrial Light & Magic Shaped The Force Awakens — Ten Years Later

Rey and BB-8 in Star Wars The Force Awakens anniversary artwork highlighting Industrial Light & Magic’s visual effects legacy

Ten years on, Star Wars: The Force Awakens doesn’t just feel like a movie that restarted a saga. It feels like a technical turning point. To mark the film’s tenth anniversary, Industrial Light & Magic has revisited its Oscar®-nominated visual effects work on the 2015 release — offering a closer look at how the galaxy was rebuilt for a new era without losing its soul. Why this matters now Anniversaries tend to focus on characters and story. This one shifts the spotlight to craft. The Force Awakens arrived with a difficult mandate: make Star Wars feel tangible again after years of increasingly digital spectacle, while still delivering modern blockbuster scale. ILM’s work was central to pulling that off — and a decade later, its influence is even clearer. What was revisited The newly released retrospective highlights ILM’s effects pipeline on Star Wars: The Force Awakens, which earned an Academy Award®…

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New Plot Details Reveal the Core Story of The Mandalorian and Grogu

A new plot description for The Mandalorian and Grogu offers the clearest picture yet of where the story is heading — and it firmly places the film at a pivotal moment in the Star Wars timeline. According to the newly revealed description, the galaxy is still dealing with the aftermath of the Empire’s collapse. Imperial warlords remain scattered across the stars, while the fledgling New Republic struggles to maintain order and protect everything the Rebellion fought to achieve. In the middle of that chaos stand Din Djarin and Grogu, drawn back into the conflict as unlikely but essential allies. A Galaxy Still Picking Up the Pieces Rather than jumping ahead to a stable era of peace, The Mandalorian and Grogu appears to lean into the uneasy transition period following the fall of the Empire. The presence of roaming Imperial warlords suggests a fragmented enemy — dangerous not because of unity,…

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Mark Hamill Reveals His Favorite Star Wars Quote — And It’s Not What You’d Expect

Graphic highlighting Mark Hamill revealing his favorite Star Wars quote

After more than four decades in a galaxy far, far away, Mark Hamill has delivered countless iconic lines as Luke Skywalker. But when asked to name his favorite Star Wars quote of all time, Hamill didn’t choose something heroic, philosophical, or Force-related. Instead, he picked a line that quietly runs through almost every Star Wars film. “My favorite from the space movies was, ‘I have a very bad feeling about this.’And they gave it to a character in every movie—somebody else said it!” It’s a choice that says a lot about Star Wars — and about Hamill’s affection for the saga’s shared traditions. A Line That Became a Tradition “I have a very bad feeling about this” isn’t tied to one character, one trilogy, or even one era. It’s a recurring phrase that has appeared across the original trilogy, the prequels, the sequels, animated series, and beyond. Sometimes it’s delivered…

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Rian Johnson’s Star Wars Trilogy Is “Effectively Dead,” Says The Hollywood Reporter

Stylized image of filmmaker Rian Johnson with the text “Rian Johnson’s Star Wars Trilogy Is Effectively Dead” over a dark sci-fi background.

It’s the end of a long-running Star Wars mystery:Director Rian Johnson’s planned Star Wars trilogy — announced all the way back in 2017 — is now “effectively dead,” according to The Hollywood Reporter’s new profile on the filmmaker. While Johnson is currently busy celebrating the premiere of his new film Wake Up Dead Man, the article finally gives us a clear update on the trilogy many fans assumed had quietly vanished into hyperspace. Now, we have confirmation: it’s not happening. And maybe never really was. From The Last Jedi to “What Could Have Been” Johnson’s relationship with Star Wars began with The Last Jedi (2017), one of the most talked-about and debated films in the franchise’s history. THR notes that Johnson created TLJ in what he describes as a “beautiful, fearless little bubble,” focused entirely on the creative work and not the outside noise. That noise, of course, arrived later…

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