Daisy Ridley as Rey reflecting on the future of the New Jedi Order in an upcoming Star Wars movie

Daisy Ridley Says the New Jedi Order Movie Will Be “Wonderful”

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Speaking recently with ComicBook.com, Daisy Ridley offered an update on the long-gestating New Jedi Order film—and her words land somewhere between optimism and caution.

Ridley described the story as “wonderful,” but the more telling part of her comments wasn’t the praise. It was the restraint.

“I am six years older. I am in a different moment,” Ridley said.
“I think the wait will be worthwhile. I think it will be a discovery, as all roles are, of where Rey is when we meet her again.”

That doesn’t sound like someone promising a victory lap. It sounds like someone aware of how much has changed—both personally and within Star Wars itself.

A Return That Carries Real Risk

Bringing Rey back is not a neutral decision for Lucasfilm. Rey remains one of the most debated figures of the sequel era, praised by some as a symbol of hope and criticized by others as underdeveloped or mishandled.

Ridley seems acutely aware of that context.

Her emphasis on discovery suggests this isn’t a story that assumes audiences already agree on who Rey is. Instead, it hints at a film that needs to re-establish the character, not just continue her arc.

That’s both promising—and risky.

Why the Time Gap Matters (For Better and Worse)

Six years is a long gap in franchise terms. It can work in a story’s favor, giving characters—and audiences—room to grow. But it also raises expectations.

Ridley’s comment that she’s “in a different moment” can be read two ways:

  • Positively, as a chance to bring greater depth and maturity to the role.
  • Cautiously, as an acknowledgment that this version of Rey must feel earned, not assumed.

The film can’t rely on momentum from The Rise of Skywalker. It has to justify why Rey’s story deserves another chapter at all.

“Wonderful” Is Encouraging—But Not a Guarantee

Ridley calling the story “wonderful” is reassuring, but it’s not a blanket endorsement of success. Actors often respond to tone, theme, and character intent long before the broader execution—direction, pacing, audience reception—comes into focus.

What is encouraging is what she didn’t say.

There’s no talk of “fixing” the sequels.
No promise of redefining Star Wars.
No hype about spectacle or legacy cameos.

Instead, Ridley frames the film as a character-led exploration of where Rey is now—and that’s probably the right place to start.

A New Jedi Order Needs a Clear Point of View

The biggest open question isn’t whether Rey returns, but what kind of Jedi Order this film wants to depict.

If the movie treats the Jedi as something to be rebuilt exactly as before, skepticism will be justified. If it uses Rey’s experiences—failure, isolation, responsibility—to question what the Jedi should become, then the project has real potential.

Ridley’s careful language suggests the latter is at least on the table.

Cautious, But Not Dismissive

There’s reason to be skeptical. Star Wars has announced, delayed, and reshaped multiple film projects in recent years. Fans have learned not to assume follow-through.

At the same time, Ridley’s tone doesn’t feel like contractual enthusiasm. It feels reflective. Considered. Aware of the weight this return carries.

That doesn’t guarantee success—but it does suggest the people involved understand what’s at stake.

For now, New Jedi Order remains a question mark. But thanks to Ridley’s comments, it’s a question mark that feels intentional rather than confused.

Cautious optimism might be the most honest reaction—and, for once, that feels appropriate.

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