The Star Wars sequel trilogy has officially hyperspaced its way to a new streaming home: ITVX.
The Force Awakens (2015), The Last Jedi (2017), and The Rise of Skywalker (2019) have now joined the platform, giving UK viewers an easy place to revisit (or re-debate) one of the most divisive eras in Star Wars history.
And honestly—few trilogies deserve the word “divisive” quite as much as this one.
A Galaxy Reborn… Then Argued About
After Disney bought Lucasfilm in 2012, the studio launched a brand-new sequel trilogy set decades after Return of the Jedi. The nostalgia was real: Harrison Ford, Carrie Fisher, and Mark Hamill all returned as Han Solo, Princess Leia, and Luke Skywalker.
At the same time, a new generation took the spotlight:
- Daisy Ridley as Rey, a Force-sensitive scavenger with mysterious origins
- John Boyega as Finn, a stormtrooper who defects from the First Order
- Oscar Isaac as Poe Dameron, the Resistance’s most confident pilot since Wedge Antilles had coffee
Together, they find themselves locked in a war against Supreme Leader Snoke and his apprentice Kylo Ren — better known as Ben Solo, son of Han and Leia, and reigning champion of dramatic lightsaber entrances.
Billion-Dollar Blockbusters With a Split Legacy
Financially, the trilogy was an enormous win for Disney:
- The Force Awakens – $2.07 billion
- The Last Jedi – $1.33 billion
- The Rise of Skywalker – $1.07 billion
But critically and socially? Things got… complicated.
The critics:
- The Force Awakens: 93% (a warm welcome back to the galaxy)
- The Last Jedi: 91% (bold choices, bold reactions)
- The Rise of Skywalker: 51% (and here’s where the wheels came off)
The Times called Rey’s final arc “a charmless whimper.”
MovieFreak.com claimed “the Darkside of corporate cookie-cutter greed” had won.
Empire Magazine noted that the finale landed “somewhere in between.”
Not exactly the triumphant finale Lucasfilm wanted.
The Fans Had… Thoughts
If the critical response was bumpy, the fan reaction was a full-scale galactic civil war.
Common complaints included:
- Inconsistent story arcs
- Abandoned plot threads
- Conflicting visions between directors
- A LEGO-set amount of plot holes
Still, supporters praise the trilogy’s visuals, character performances, and its willingness to introduce new heroes to the saga.
And now that the trilogy is on ITVX, it’s about to get a fresh round of viewings, hot takes, and “Rey should have been a Kenobi / Nobody / Skywalker / Palpatine / Literally Anything Else” discourse.
Why ITVX Is a Big Deal
For UK fans, ITVX grabbing the rights is a major move.
It puts some of the highest-earning movies of all time on a free-to-stream platform (with ads), making the trilogy more accessible than ever.
It also means that a whole new wave of viewers may discover—or rediscover—this era of Star Wars without needing a Disney+ subscription.
Whether they’ll love it, hate it, or argue their way through it on social media… well, that’s tradition at this point.
A Fresh Chance for a Fresh Debate
Say what you want about the sequels—they keep the fandom busy.
And now that they’re on ITVX, the trilogy is primed for a new surge in viewership, nostalgia, and yes… endless discourse.
Grab your blue milk, fire up ITVX, and prepare for three movies that made over $4 billion, launched a new generation of heroes, resurrected a few icons, and sparked a decade of debate so intense even the Jedi Council would’ve walked out.
The galaxy is once again yours to re-experience.
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